Decoding the New York Mayor's Style Statement: What His Suit Tells Us Regarding Contemporary Masculinity and a Shifting Culture.
Coming of age in the British capital during the noughties, I was constantly surrounded by suits. You saw them on businessmen rushing through the Square Mile. They were worn by fathers in Hyde Park, kicking footballs in the golden light. Even school, a inexpensive grey suit was our required uniform. Traditionally, the suit has functioned as a costume of seriousness, signaling power and professionalism—qualities I was expected to embrace to become a "man". However, before recently, people my age seemed to wear them infrequently, and they had largely vanished from my consciousness.
Then came the incoming New York City mayor, Zohran Mamdani. Taking his oath of office at a closed ceremony dressed in a sober black overcoat, crisp white shirt, and a notable silk tie. Propelled by an ingenious campaign, he captured the world's imagination like no other recent mayoral candidate. Yet whether he was cheering in a music venue or attending a film premiere, one thing remained mostly constant: he was frequently in a suit. Relaxed in fit, modern with soft shoulders, yet traditional, his is a quintessentially professional millennial suit—well, as common as it can be for a cohort that rarely bothers to wear one.
"This garment is in this weird place," says style commentator Derek Guy. "It's been dying a slow death since the end of the Second World War," with the real dip coming in the 1990s alongside "the rise of business casual."
"Today it is only worn in the most formal settings: marriages, funerals, and sometimes, court appearances," Guy states. "It is like the kimono in Japan," in that it "fundamentally represents a custom that has long retreated from everyday use." Numerous politicians "wear a suit to say: 'I am a politician, you can have faith in me. You should support me. I have legitimacy.'" Although the suit has historically conveyed this, today it enacts authority in the attempt of gaining public confidence. As Guy clarifies: "Since we're also living in a liberal democracy, politicians want to seem approachable, because they're trying to get your votes." In many ways, a suit is just a subtle form of drag, in that it enacts manliness, authority and even closeness to power.
Guy's words stayed with me. On the rare occasions I require a suit—for a ceremony or black-tie event—I dust off the one I bought from a Japanese department store several years ago. When I first selected it, it made me feel sophisticated and high-end, but its tailored fit now feels outdated. I suspect this feeling will be all too recognizable for numerous people in the diaspora whose parents come from other places, especially developing countries.
Unsurprisingly, the working man's suit has lost fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can thus define an era—and feel quickly outdated. Take now: more relaxed suits, echoing a famous cinematic Armani in *American Gigolo*, might be trendy, but given the cost, it can feel like a considerable investment for something destined to fall out of fashion within five years. Yet the appeal, at least in certain circles, persists: in the past year, major retailers report suit sales rising more than 20% as customers "shift from the suit being daily attire towards an desire to invest in something special."
The Symbolism of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a product of his upbringing," says Guy. "In his thirties, he's neither poor nor extremely wealthy." To that end, his mid-level suit will resonate with the group most inclined to support him: people in their 30s and 40s, university-educated earning middle-class incomes, often frustrated by the cost of housing. It's exactly the kind of suit they might wear themselves. Not cheap but not extravagant, Mamdani's suits plausibly align with his stated policies—which include a rent freeze, building affordable homes, and free public buses.
"It's impossible to imagine a former president wearing this brand; he's a Brioni person," says Guy. "He's extremely wealthy and was raised in that property development world. A status symbol fits seamlessly with that tycoon class, just as attainable brands fit naturally with Mamdani's cohort."
The legacy of suits in politics is long and storied: from a former president's "shocking" tan suit to other world leaders and their suspiciously impeccable, tailored appearance. As one British politician learned, the suit doesn't just dress the politician; it has the potential to characterize them.
Performance of Banality and A Shield
Perhaps the key is what one scholar calls the "enactment of ordinariness", summoning the suit's historical role as a standard attire of political power. Mamdani's specific selection leverages a studied modesty, neither shabby nor showy—"conforming to norms" in an inconspicuous suit—to help him connect with as many voters as possible. But, experts think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't apolitical; scholars have long pointed out that its contemporary origins lie in military or colonial administration." It is also seen as a form of defensive shield: "It is argued that if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, particularly to those who might question it.
This kind of sartorial "changing styles" is not a new phenomenon. Indeed iconic figures previously donned three-piece suits during their early years. Currently, other world leaders have started exchanging their typical fatigues for a black suit, albeit one without the tie.
"Throughout the fabric of Mamdani's image, the struggle between insider and outsider is visible."
The attire Mamdani selects is highly significant. "Being the son of immigrants of Indian descent and a democratic socialist, he is under scrutiny to conform to what many American voters expect as a sign of leadership," says one author, while at the same time needing to navigate carefully by "avoiding the appearance of an establishment figure selling out his distinctive roots and values."
Yet there is an acute awareness of the double standards applied to who wears suits and what is read into it. "This could stem in part from Mamdani being a younger leader, skilled to adopt different personas to fit the occasion, but it may also be part of his diverse background, where code-switching between languages, traditions and clothing styles is typical," commentators note. "Some individuals can go unremarked," but when others "seek to gain the power that suits represent," they must meticulously negotiate the expectations associated with them.
Throughout the presentation of Mamdani's official image, the tension between somewhere and nowhere, insider and outsider, is evident. I know well the discomfort of trying to fit into something not built for me, be it an inherited tradition, the society I was born into, or even a suit. What Mamdani's style decisions make evident, however, is that in politics, appearance is not neutral.